Saturday, March 22, 2008

Woman in the Dunes

Last night I had the pleasure of watching the 1964 Japanese film, Woman in the Dunes. The basic premise is that a schoolteacher from Tokyo comes to the coastal sand dunes to collect strange bugs in hopes of finding a new species and getting his name in a field guide. He stays at the dunes too long in the day and misses his bus back towards town. Local villagers offer him a place to stay and he accepts. The home they offer for him to stay in is inhabited by a widow and is in the bottom of a large sand pit. He is lowered down by a rope ladder and when he attempts to leave the next day the ladder is gone and he is essentially imprisoned.


Throughout the film we see sand all over the place; it leaks through the roof, covers their bodies, erodes from the pit walls, and windstorms bring large cascades of it. Near the beginning of the film, we see the woman shoveling sand into buckets to be lifted out of the pit for an entire night. We learn that she has to shovel sand every night in order to protect her home as well as the homes of neighboring villagers (the logic being that if her home is buried, it will be easier for other homes to follow). The nameless schoolteacher is captured so that he can prevent the destruction of her home through help with shoveling.

The most telling scene of this seemingly existential allegorical movie is during one of these scenes where they are both shoveling sand. The schoolteacher is venting frustration at the futility of trying to get rid of the sand...how they would have to do this endlessly and it seems so meaningless. However, if the pit is symbolic of society/life etc. the woman's task is no more futile than the man's activities of collecting bugs. Her task is based on survival while his is based in academia, but both could be seen as ultimately meaningless. Any individual life is full of routine and detail to seemingly meaningless tasks...whatever we do for a living, chores, hobbies...all of them are series of routines. The video essay included as a special feature makes the interesting comparison of shoveling sand to the Myth of Sisyphus, but makes the distinction that Sisyphus must roll his boulder to appease the gods, while those in the sand pit have more primitive and basic survival reasons.

While the film may not contain a particularly hopeful theme, it does provide many beautiful visual images and some memorable love scenes. Overall the images, story, and even the soundtrack all add up to one striking adjective: haunting...in the best way possible.

Monday, March 3, 2008

A little story about Oakland


So I haven't written in a while, and for once I think I have a decent excuse: I'm moving. to Oakland. In tribute to what will become my new home, here are some facts and some history about the home of hyphy:
Oakland (and Long Beach) are the most ethnically diverse cities in the United States, speaking 150 different languages. Of approximately 415,000 people, 31% African American, 26% white, 25% Latino, 16.4% Asian American, 1% Pacific Islander, .6% Native American, 14% Other

It's the 8th largest city in California and the 44th largest city in the U.S.

Rand McNally claims that Oakland has the best weather in the country (coming from Southern California, I find that hard to believe...)


As far as Oakland's notorious reputation, it's somewhere between the 4th and the 8th most dangerous city in the country mainly due to homicides (hopefully my mom never reads this) of which there were 127 last year.

Home to the As, the Raiders, and the Golden State Warriors

As far as history goes, Oakland was granted to a dude named Peralta in the early 19th century from the Spanish Royal government and named "encinal" meaning "oak grove" which eventually turned into "Oakland." The Gold Rush of 1848 affected Oakland as well as a lot of California, bringing railroad lines, boats, and streetcars. When the 1906 earthquake hit San Francisco, Oakland's population doubled due to the amount of refugees escaping earthquake damage and fires. 1920s were a good time economically for Oakland, leading to the building of many houses and a lot of the downtown buildings still standing today. Oakland was home to many industries including shipbuilding, canneries, bakeries, metals, and automobiles. These industries, especially during WW2, attracted many African American laborers.

After WW2 the automobile and shipbuilding industries significantly dissolved and eliminated many jobs. However, many who had originally come for work had decided to settle in Oakland. Simultaneously, more affluent sectors of the population moved into easterly suburbs as an example of "white flight." After the war, Oakland had become increasingly poor.


The most significant aspect of Oakland's history during the 1960s and 70s was the creation of the Black Panthers by two students of Merritt College, Huey Newton and Bobby Seale. The Black Panthers were originally formed as a response to rampant police brutality at a time when only 16 of 661 police officers were black in a largely poor black community. Funk and the Hell's Angels were both visible forces and the 1970s were apparently a good time for all three professional sports teams.




Oakland was at the center of the ebonics controversy, when in 1997, Oakland's school board decided to formally recognize ebonics or AAVE (African American Vernacular English) as an official language.
Anyway, in less than two weeks, this is where I'll be..




Monday, February 11, 2008

Marc Quinn

I am typically really interested in the interesection between art and science. Recently I was listening to a BBC Front Row podcast that featured an interview with YBA (Young British Artist) Marc Quinn. Quinn's work almost always seems to deal with some aspect of the body and often with DNA. He has said that he finds genetics interesting because essentially they are instructions for creating the human machine, and basically we now have instructions in how to make ourselves.

Quinn originally came on the art scene in 1991 with a sculpture of his bust/head created entirely out of 9 pints of his own blood that he had extracted over a five month period. In a different kind of portrait, Quinn paid tribute to John Sulston by constructing a "portrait" made by the standard methods of DNA cloning. John Sulston won a Nobel Prize for being a leading contributor to the Human Genome Project. Funnily enough, this piece is actually on display at the National Portrait Gallery in London even though it is a bit of joke since it looks delicate jewelry rather than a person.

Quinn's other famous works include the huge marble statue of Alison Lapper in Trafalgar Square. Lapper was born with shortened limbs and the sculpture was done when she was eight months pregnant. The Lapper sculpture is a part of a series of sculptures of amputees and the disabled. Quinn uses white Italian marble because the material is normally associated with ideal Western forms. Quinn has also stated that he thinks the "disabled" are the most underrepresented group of people in art.


His newer work includes a garden of plants kept in cryogenic suspension and a series of fetal sculptures on display now in London.

Sunday, February 3, 2008

She looks like a model/Except she's got a little more ass

Mainstream definitions of beauty and even the concept of "beauty" are highly subjective and malleable constructs. Historically many different body types have all held the title "most preferred" at some point. If we think back to the Medieval era, plump, pink, long-armed ladies epitomized the feminine beauty ideal. Partially "plumpness" was attractive because it signaled a person who had enough wealth to feed themselves luxuriously. Fast forward to this century, starting circa 1967, and "thin" is definitely "in." Models tended (and still tend) to have "stick" body types, and even boyish figures. Sexuality was in the process of being redefined and androgyny had a certain appeal. During most of the 1980s and 1990s, thinness was still the main beauty trait of concern, but androgyny had mostly faded away in exchange for a more "sexy" and feminine body type. This combination led to skinny ladies with large breasts, not to mention an obsession with plastic surgery (and a regression back to pre-1960s antifeminist sentiments.) Currently, for a lot of the general population, the thin/large breasted woman may still embody "beauty," however, in the last decade I have noticed an interesting trend in a lot of youth mainstream culture, and that is the glorification of the "booty." For many men and women, breasts are of little concern...appeal is all in the round "applebottom."

If one were to listen to any given hour of their local Top 40 (or pop hip hop, r&b) station, they might hear lyrics such as these:

"Shorty drop em to the ground like she ain't got manners/ too much booty for one man to handle..damn lil mama you know you fit my standards" - Akon "Buck in Here"

"She turned around and gave that big booty a smack" - Flo Rida "Low ft. T-Pain"

"You got me so hypnotized/ the way your body rollin round and round/ that booty keep bumping" - Plies "Hypnotized ft. Akon"

"I don't care 'bout your breast/ you can be an A cup/ I know what I like/ and baby that's below the waist" - Mims "Like This"

Now before everyone gets hung up on the "objectification of women issue," I would just like to acknowledge that, yes, these lyrics definitely treat women as objects, but part of the nature of Top 40 is to appeal to the lowest common denominator of listener, and an examination of these lyrics is very telling as to what traits comprise the current feminine beauty ideal. We live in a society where MTV, fashion ads, television, etc. influence what men find attractive, and what women seek to emulate.

The "new" ample-bottomed figure seemed to work its way into the mainstream initially through some key African-American and Latina actresses (J.Lo immediately comes to mind). Almost a year ago, Latoya Peterson contributed a post to the blog Racialicious entitled, "Real women (of color) have curves." http://www.racialicious.com/2007/02/21/real-women-of-color-have-curves/ Peterson criticized other media publications for lumping together J.Lo, Queen Latifah, and America Ferrera. These women may possess larger behinds, but they do not in any way share the same body types (one would benefit knowing the difference between ectomorphs, endomorphs, hourglass figures, etc)...instead they are lumped together because of their "otherness." Peterson explains, "One could argue that these women, each one quite pretty, are not considered part of the mainstream - their ethnicity is still a regularly used modifier in their professional lives. They stand just a little apart, so they are exempt from adhering to mainstream definitions of beauty."

While, I can see that argument holding true in certain circles, I would personally argue that this "alternate beauty model" is redefining the current mainstream preferences. Partially this may be due to the fact that America is becoming a ever more diverse country, or maybe even partially because of the "exotic factor" or ethnic fetishes (although it is pretty silly to think all Latinas/African-Americans have this body type, or that white girls all have flat asses). However, I think the biggest factor is the current inseparable connection of youth mainstream culture with hip hop culture. In the book, "Why White Kids Love Hip Hop," Bakari Kitwana explains how the younger black community serves as "gatekeepers" of what will become cool. Hip hop artists, slang, and I would argue fashion and therefore one aspect of "beauty" have to first be approved and legitimated by the black community before being latched onto by broader white audiences. First, the big booty, stereotypically aligned with black women and their latina counterparts (since Latinos also share a piece of hip hop culture) is seen as attractive to a lot of the black community. Hip hop lyrics, music videos, and other media depicting blacks reflect this preference. Then some time passes, and unsurprisingly many young white men begin citing the "booty" as the main physical feature in a woman that they find attractive...even if these men personally do not listen to or participate in hip hop culture, they do not escape the influence of the new beauty ideal. Since much of this segment of white America has adopted these preferences, I think it's safe to say that the "booty" is mainstream.

Sunday, January 27, 2008

Garfunkel's a reader. Obama is a winner.

1.) Yesterday I got a message from my friend Nora regarding Art Garfunkel's online library. It turns out that Art has been keeping track of every book that he has read since 1968. He has the title, author, number of pages, and month he read it. Coincidentally, I have been doing the same thing for a little over a year now. Basically, I'm going to be the next Art Garfunkel (in a way...) If you are curious, you can check it out here:http://www.artgarfunkel.com/library.html


Also regarding the state of the "book", Ursula Le Guin has an article in the latest Harper's titled "Staying Awake: Notes on the alleged decline of reading." Le Guin is a Portland-based author and basically explains that book publishing industry and capitalism do not make good partners. Besides textbooks, many people do not have reason to purchase books other than the fact that they enjoy them, and Le Guin argues that there have never been that many of us booklovers anyway. Publishers should stop trying to cram "best sellers" down our throats or declaring books "unsuccessful" if they don't make a certain amount of profit in a short period of time. Realistically, the "midlist" or books in print that continue to sell a bit each year are really what should be publishing houses' bread and butter. When talking about "the decline of reading", Le Guin cites the same NEA surveys that I referenced a month ago, but while I read the statistics and found them demoralizing, Le Guin says "Even during the "century of the book," when it was taken for granted that many people read and enjoyed fiction and poetry, how many people in fact could make much time for reading once they were out of school? During those years [1850-1950] most Americans worked hard and worked long hours. Weren't there always many who never read a book at all, and never very many who read a lot of books? We don't know how many, because we didn't have polls to worry us about it."


2.) Obama beat Hillary 55% to 27% in the South Carolina primary yesterday. Obama is my candidate so I'm obviously happy about that result but I also liked what the blogger Average Bro (http://www.averagebro.com/) had to say about a black man actually having a real chance at the presidency. You can check out the latest post yourself, but what I got was that although blacks have becomes billionaires, headed companies, even been to the moon, the presidency is unique in the fact that it has to be "granted"...one has to be chosen/elected..you can't just work harder to obtain that achievement. Obama also represents the ability to dream...really. Black fathers would finally be able to tell their sons honestly and realistically that they too could possibly become president one day...(although you probably still need an Ivy league education and a certain level of wealth...but at least skin color maybe wouldn't be the negating factor..)

Sunday, January 20, 2008

MLK and the art of being a human.

I don't feel like I have much to blog about this week. I'm very much in a stage of limbo in the interim time before moving. I sold my drums, have an actual date to go down to California to look at apartments, and am really broke. I feel acutely aware of which friendships I want to maintain and have been trying to spend time with those that I have an existing relationship with. Because of this state of transition, I've been especially fragile and prone to emotional outburst...


One example is a movie a saw last weekend, The Diving Bell and the Butterfly. I loved the film and you can read a review of it here:http://saxoneuro.blogspot.com/2008/01/divine-bell-and-butterfly.html. I have to say though, I began crying probably 30 minutes into the film, and did not stop until way after it ended. (I had a moment during the credits where I tried to gain my composure, wipe off all of the mascara, take some breaths...all to no avail...I began tearing up again on the escalator out of the theater). I know partially it hit home because of an accident that my dad had a year and a half ago, and honestly Diving Bell is a film that could make even the most stable person lose it..but also I think I'm just in a place where I've been preoccupied with the trajectory of my life, my plans, my relationships, my mortality (a little dramatic, I know). I was shaky for quite a while, but highly recommend this film even though I personally will not be able to watch it for some time.


I feel as though I should write something regarding MLK in honor of this Monday, but in some ways King is so iconic, his words so well known, his message still something to strive for that it seems unnecessary for me to add anything to the discourse. It's not surprising at all that presidential candidate Barack Obama would choose to align his fight for the White House with King's fight for civil justice. In some ways Obama embodies King's dream and vision for America. I think he was a great man, who has been obviously mythologized for good reason. I just hope that America's familiarity with him doesn't continue a complacency towards the racial inequality still present in our society. That being said, I still can't resist...in the words of the man himself:


"It is one thing to agree that the goal of integration is morally and legally right; it is another thing to commit oneself positively and actively to the ideal of integration- the former is intellectual assent, the latter is actual belief. These are days that demand practices to match professions. This is no day to pay lip service to integration, we must pay life service to it."


"When millions of people have been cheated for centuries, restitution is a costly process. Inferior education, poor housing, unemployment, inadequate health care- each is a bitter component of the oppression that has been our heritage. Each will require billions of dollars to correct. Justice so long deferred has accumulated interest and its cost for this society will be substantial in financial as well as human terms. This fact has not been fully grasped, because most of the gains of the past decade were obtained at bargain rates. The desegregation of public facilities cost nothing; neither did the election and appointment of a few black officials."


"I think the greatest victory of this period was...something internal. The real victory was what this period did to the psyche of the black man. The greatness of this period was that we armed ourselves with dignity and self-respect. The greatness of this period was that we straightened our backs up. And a man can't ride your back unless it's bent."

Sunday, December 23, 2007

July to December: books

Welcome to the sequel to a post back in June regarding the books I had read up to the halfway point in the year. Back in June I had cited a statistic from the National Endowment for the Arts report titled "Reading at Risk" (2002) that said 58% of the US adult population never reads another book after high school. The Guardian actually reported on an Associated Press poll back in August of this year that showed that one in four Americans read no books in the past year and most people typically said that they read four books. http://books.guardian.co.uk/news/articles/0,,2153877,00.html


So once again, here is my somewhat self-indulgent compilation of the books I have read in the past six months...doing my part to up our national average...


1. The Trial - Franz Kafka
2. Revolutionary Road - Richard Yates
3. Hunger - Knut Hamsun
4. the Gospel Singer - Harry Crews
5. the Clown - Heinrich Boll
6. Berlin Stories - Christopher Isherwood
7. Know What I Mean? - Michael Eric Dyson
8. No Country For Old Men - Cormac McCarthy
9. Gargoyles - Thomas Bernhard
10. Victoria - Knut Hamsun
11. Time Traveler's Wife - Audrey Niffenegger
12. Three Novels by Beckett: Molloy, Malone Dies, and the Unnnamable - Samuel Beckett
13. A Hundred Little Hitlers - Elinor Langer
14. Selected Stories - Robert Walser
15. Hard Work: Remaking the American Labor Movement
16. Ferdydurke - Witold Gombrowicz
17. Killing the Black Body - Dorothy Roberts
18. Darkness at Noon - Arthur Koestler
19. Zeno's Conscience - Italo Svevo
20. Pale Fire - Vladimir Nabokov
21. Sundown Towns - James Loewen
22. Slowness - Milan Kundera
23. Crystal Frontier - Carlos Fuentes
24. Illness as Metaphor and AIDS and its Metaphors - Susan Sontag
25. As I Lay Dying - William Faulkner
26. Street of Crocodiles - Bruno Schulz*
27. Rereading America*


*= still in process, expected to complete by the end of the month


highlights: Selected Stories (Walser). the Clown. Gargoyles. Molloy. Hunger. Crystal Frontier. Pale Fire.
favorite nonfiction: Killing the Black Body
estimated number of pages read in the past 6 months: 8500
total number of books for the year: 43